Post by Headmistess McGonagall on Apr 25, 2012 19:49:38 GMT -5
In this thread you can find all the information I've gathered from the internet about wand woods and wand cores. Please keep these facts in mind when choosing your wand.
Credits for the facts go to Wizarding Realm.
Alder – Alder is extremely rare, as many wandmakers will refuse to take wood from an alder. The ‘bleeding’, turning from white to red, is considered to be inauspicious. The few wands made of alder are often those with strongly opposing cores (such as doxy wings and phoenix feather), as the wood imposes balance.
Apple – Apple is a gentle, outdoorsy wood that would find favor with a student skilled in Herbology or Care of Magical Creatures. It tends to get overwhelmed easily, and is thus rarely used with powerful cores (multiple dragon heartstrings or phoenix feathers, for example).
Ash – Ash is slightly associated with the Dark Arts, as the ash tree is said to ‘strangle’ the plants around it. It does excel at Dark magic, but is also good for Transfiguration. They also tend to bond to good Diviners.
Aspen (cottonwood) – those with aspen wands tend to be defiant and talkative. This wand boosts power in Charms, but detracts from Healing magic.
Beech – beech is a strong, neutral wood that has no particular strengths or weaknesses, with the exception of one small quirk- it tends to function less effectively underwater.
Birch – although it has a reputation for weakness, in actuality birch is one of the finest Light wandwoods in existence. It is associated with both driving out evil spirits (and thus will produce a strong Patronus) and with healing magic.
Black ironwood - an African import, remarkable in that it will sink rather than float in water. Although its strength might imply a powerful wandwood, it is rarely used, even in African wandcraft- its weight, particularly in longer wands, impedes spellcasting, and it is next-to-useless underwater.
Black walnut – a beautiful dark wood, this wand is more decorative than Dark, and is actually a strong Light wood- black walnuts produce a chemical that kills poisonous plants of the Nightshade family.
Blue spruce – Like spruce, a strong wood that excels in everything except the Dark Arts. However, a witch or wizard with a strong personality can coax more out of a blue spruce wand than a spruce one.
Cedar – Cedar is a rather docile wandwood with particular skill in protective spells. Cedar wand wielders often become potent Occlumens.
Cherry – A “happy”, willing wandwood, which will give consistent results at all magic save the Dark Arts. Cherry with phoenix feather is a particularly agreeable combination for a Light wizard without particularly prodigious magical talents.
Chestnut – Chestnut is quite good at Transfiguration, although it tends to sputter at Charms and DADA.
Cypress – Cypresses have long been associated with the Greek god of the underworld, Hades. This wand has subtle power, and is good at Transfiguration and Dark Arts.
Dogwood - Dogwood is extremely hard and strong, and the wands made from it will have this resilience. It was once used for making daggers, and hence has a slight violent streak.
Ebony – Ebony is the most famous of the Dark woods, although not the most powerful. However, for visual impact and power, it is amongst the best.
Elder – although it is rumored that the most powerful wand in existence was made of elder, it is not a particularly common wandwood, if only because when elder wands backfire, they often kills the wandmaker or wielder.
Eucalyptus – Eucalyptus trees grow quickly, so these wands channel that liveliness to be both willing and powerful. However, they are rather rare, and are most commonly Australian imports.
Fir – Fir is not a common wandwood because of its undesirable physical properties, but is occasionally seen in outdoorsy wands.
Gingko - This is a highly unusual wandwood, and is rarely seen in the West. For over a millenium, it competed with plum as the most popular Chinese wandwood, however, as gingko trees ceased to be a wild species, the wood began losing favor. The commonly held perception that wild woods lead to stronger wands means that modern gingko wands are fairly rare. This is not to say that gingko is not a useful wandwood: it has great staying power, and is good for calming tempermental cores.
Hawthorn – There is a unique ritual associated with the harvesting of hawthorn for wandwood- they are only cut in symbolic prunings at Beltane. It is an excellent DADA wand, as it symbolizes protection.
Hazel – Hazel is quiet and versatile, giving subtle boosts to Charms and Transfiguration. It is another wand that denotes skill in Divination.
Hemlock – Hemlock is a ‘quick’ wandwood and allows for fast reactions, and makes an excellent potion stirrer besides.
Holly - the archetypal Light wandwood, Holly is renowned for its ability to repel dark spirits and demons. It may reduce your power in hexes, but the boost you get to DADA may just balance it out.
Hornbeam – Hornbeam, or ironwood, is considered to be the most stubborn of wandwoods. Those who have the necessary will to master it will be rewarded with an extremely powerful wand.
Ivy – an uncommon wandwood due to the difficulty of harvesting thick enough pieces, it is often worth the trouble, as it is deceptively strong.
Kaya - A lovely yellow wandwood of Japanese origin, it is extremely rare in British wandmaking. However, those bonded to Kaya wands will find their abilities in logical arts, such as Potions, Astronomy, Ancient Runes, and Arithmancy, boosted.
Linden – Linden, or lime, has not been widely used in British wandmaking. However, German wizards have long favored it for its association with Freya, and most powerful German DADA wands are made of linden.
Madrona – A beautiful evergreen from the Pacific Northwest region of North America, it is rare in British wandmaking. However, its distinctive peeling bark denotes its magical powers of change- hence, a powerful wood for Transfiguration.
Mahogany – Mahogany is a good all-around wood, not particularly powerful in any one situation, but a good solid overall wood.
Maple – Maple is a good, sturdy wood, and a bit more magical than oak. It’s rather versatile.
Oak – Oak is a strong, reliable wandwood that helps with DADA and Transfiguration. However, its sturdiness means that it may take longer to learn new spells.
Pine – A quiet wood, not powerful, not weak. It is a softwood, and thus has a bit more yield, making it more inclined to a quick-learning but less powerful wand. It is, however, excellent for Divination.
Plum – Plum wood is not common in English wandmaking, however, it is a traditional Chinese wandwood that has gained favor in Central Europe. It seems to be much like applewood, if slightly more inclined to Charms.
Poplar – Although poplar is a light wood, it is sometimes found in the wands of Dark Wizards, who find its properties of being extremely similar to human bone desirable.
Redwood – This wood excels at all wand-based magic, but it rarely bonds to witches and wizards who do well in the non-wand-based arts. Don’t expect this one to make a good potion stirrer!
Reed – Reed is always delicate, and a difficult wand to work with. However, its wisdom and intelligence make it sought-after by some. It is almost solely a Ravenclaw wandwood.
Rosewood – Rosewood is graceful and will complement phoenix feathers, unicorn hair, veela hair, and fairy wings nicely. However, other cores end up at odds with the wood.
Rowan – Rowan gives a definite boost to Charms and Transfiguration, but is one of the most willing and reliable all-around wandwoods. It was commonly used for a bow-making wood, and carries this significance into being a good dueling wood.
Sequoia – Another American wood, this is not commonly used in British wandmaking. However, the great age of the trees gives them plenty of time to absorb ambient magic, and hence this wood is ideal for those both strong-willed and in touch with nature.
Spruce – Spruce is a good, reliable, standard wandwood. You can’t go wrong with it.
Sycamore – A relatively new wandwood, many of sycamore’s properties are as yet unknown. However, it excels at divining, and would help with Divination, Arithmancy, and Ancient Runes.
Vinewood – Vinewood is flexible, which one might think would denote a yielding wood. However, it tends to be extremely erratic, and it is a strong wizard or witch who overcomes the insecurities the wood holds to become successful with it.
Walnut – A beautiful, strong, and versatile wood. Unlike black walnut, it has no slant towards Light or Dark.
White pine - White pine is a unique wandwood, as it radiates serenity. It cannot be exhausted too much or it will strain and become quite fragile, but it is otherwise docile and easy to work with.
Willow – Willow is known as “the tree of enchantment”, and is hence quite favored for Charms. It also enhances healing magic, and is overall a willing, feminine wandwood.
Yew – Yew is a powerful wandwood. Due to its poisonous sap, it has Dark leanings, and is particularly good at Transfiguration.
Credits for the facts go to Wizarding Realm.
Woods
Alder – Alder is extremely rare, as many wandmakers will refuse to take wood from an alder. The ‘bleeding’, turning from white to red, is considered to be inauspicious. The few wands made of alder are often those with strongly opposing cores (such as doxy wings and phoenix feather), as the wood imposes balance.
Apple – Apple is a gentle, outdoorsy wood that would find favor with a student skilled in Herbology or Care of Magical Creatures. It tends to get overwhelmed easily, and is thus rarely used with powerful cores (multiple dragon heartstrings or phoenix feathers, for example).
Ash – Ash is slightly associated with the Dark Arts, as the ash tree is said to ‘strangle’ the plants around it. It does excel at Dark magic, but is also good for Transfiguration. They also tend to bond to good Diviners.
Aspen (cottonwood) – those with aspen wands tend to be defiant and talkative. This wand boosts power in Charms, but detracts from Healing magic.
Beech – beech is a strong, neutral wood that has no particular strengths or weaknesses, with the exception of one small quirk- it tends to function less effectively underwater.
Birch – although it has a reputation for weakness, in actuality birch is one of the finest Light wandwoods in existence. It is associated with both driving out evil spirits (and thus will produce a strong Patronus) and with healing magic.
Black ironwood - an African import, remarkable in that it will sink rather than float in water. Although its strength might imply a powerful wandwood, it is rarely used, even in African wandcraft- its weight, particularly in longer wands, impedes spellcasting, and it is next-to-useless underwater.
Black walnut – a beautiful dark wood, this wand is more decorative than Dark, and is actually a strong Light wood- black walnuts produce a chemical that kills poisonous plants of the Nightshade family.
Blue spruce – Like spruce, a strong wood that excels in everything except the Dark Arts. However, a witch or wizard with a strong personality can coax more out of a blue spruce wand than a spruce one.
Cedar – Cedar is a rather docile wandwood with particular skill in protective spells. Cedar wand wielders often become potent Occlumens.
Cherry – A “happy”, willing wandwood, which will give consistent results at all magic save the Dark Arts. Cherry with phoenix feather is a particularly agreeable combination for a Light wizard without particularly prodigious magical talents.
Chestnut – Chestnut is quite good at Transfiguration, although it tends to sputter at Charms and DADA.
Cypress – Cypresses have long been associated with the Greek god of the underworld, Hades. This wand has subtle power, and is good at Transfiguration and Dark Arts.
Dogwood - Dogwood is extremely hard and strong, and the wands made from it will have this resilience. It was once used for making daggers, and hence has a slight violent streak.
Ebony – Ebony is the most famous of the Dark woods, although not the most powerful. However, for visual impact and power, it is amongst the best.
Elder – although it is rumored that the most powerful wand in existence was made of elder, it is not a particularly common wandwood, if only because when elder wands backfire, they often kills the wandmaker or wielder.
Eucalyptus – Eucalyptus trees grow quickly, so these wands channel that liveliness to be both willing and powerful. However, they are rather rare, and are most commonly Australian imports.
Fir – Fir is not a common wandwood because of its undesirable physical properties, but is occasionally seen in outdoorsy wands.
Gingko - This is a highly unusual wandwood, and is rarely seen in the West. For over a millenium, it competed with plum as the most popular Chinese wandwood, however, as gingko trees ceased to be a wild species, the wood began losing favor. The commonly held perception that wild woods lead to stronger wands means that modern gingko wands are fairly rare. This is not to say that gingko is not a useful wandwood: it has great staying power, and is good for calming tempermental cores.
Hawthorn – There is a unique ritual associated with the harvesting of hawthorn for wandwood- they are only cut in symbolic prunings at Beltane. It is an excellent DADA wand, as it symbolizes protection.
Hazel – Hazel is quiet and versatile, giving subtle boosts to Charms and Transfiguration. It is another wand that denotes skill in Divination.
Hemlock – Hemlock is a ‘quick’ wandwood and allows for fast reactions, and makes an excellent potion stirrer besides.
Holly - the archetypal Light wandwood, Holly is renowned for its ability to repel dark spirits and demons. It may reduce your power in hexes, but the boost you get to DADA may just balance it out.
Hornbeam – Hornbeam, or ironwood, is considered to be the most stubborn of wandwoods. Those who have the necessary will to master it will be rewarded with an extremely powerful wand.
Ivy – an uncommon wandwood due to the difficulty of harvesting thick enough pieces, it is often worth the trouble, as it is deceptively strong.
Kaya - A lovely yellow wandwood of Japanese origin, it is extremely rare in British wandmaking. However, those bonded to Kaya wands will find their abilities in logical arts, such as Potions, Astronomy, Ancient Runes, and Arithmancy, boosted.
Linden – Linden, or lime, has not been widely used in British wandmaking. However, German wizards have long favored it for its association with Freya, and most powerful German DADA wands are made of linden.
Madrona – A beautiful evergreen from the Pacific Northwest region of North America, it is rare in British wandmaking. However, its distinctive peeling bark denotes its magical powers of change- hence, a powerful wood for Transfiguration.
Mahogany – Mahogany is a good all-around wood, not particularly powerful in any one situation, but a good solid overall wood.
Maple – Maple is a good, sturdy wood, and a bit more magical than oak. It’s rather versatile.
Oak – Oak is a strong, reliable wandwood that helps with DADA and Transfiguration. However, its sturdiness means that it may take longer to learn new spells.
Pine – A quiet wood, not powerful, not weak. It is a softwood, and thus has a bit more yield, making it more inclined to a quick-learning but less powerful wand. It is, however, excellent for Divination.
Plum – Plum wood is not common in English wandmaking, however, it is a traditional Chinese wandwood that has gained favor in Central Europe. It seems to be much like applewood, if slightly more inclined to Charms.
Poplar – Although poplar is a light wood, it is sometimes found in the wands of Dark Wizards, who find its properties of being extremely similar to human bone desirable.
Redwood – This wood excels at all wand-based magic, but it rarely bonds to witches and wizards who do well in the non-wand-based arts. Don’t expect this one to make a good potion stirrer!
Reed – Reed is always delicate, and a difficult wand to work with. However, its wisdom and intelligence make it sought-after by some. It is almost solely a Ravenclaw wandwood.
Rosewood – Rosewood is graceful and will complement phoenix feathers, unicorn hair, veela hair, and fairy wings nicely. However, other cores end up at odds with the wood.
Rowan – Rowan gives a definite boost to Charms and Transfiguration, but is one of the most willing and reliable all-around wandwoods. It was commonly used for a bow-making wood, and carries this significance into being a good dueling wood.
Sequoia – Another American wood, this is not commonly used in British wandmaking. However, the great age of the trees gives them plenty of time to absorb ambient magic, and hence this wood is ideal for those both strong-willed and in touch with nature.
Spruce – Spruce is a good, reliable, standard wandwood. You can’t go wrong with it.
Sycamore – A relatively new wandwood, many of sycamore’s properties are as yet unknown. However, it excels at divining, and would help with Divination, Arithmancy, and Ancient Runes.
Vinewood – Vinewood is flexible, which one might think would denote a yielding wood. However, it tends to be extremely erratic, and it is a strong wizard or witch who overcomes the insecurities the wood holds to become successful with it.
Walnut – A beautiful, strong, and versatile wood. Unlike black walnut, it has no slant towards Light or Dark.
White pine - White pine is a unique wandwood, as it radiates serenity. It cannot be exhausted too much or it will strain and become quite fragile, but it is otherwise docile and easy to work with.
Willow – Willow is known as “the tree of enchantment”, and is hence quite favored for Charms. It also enhances healing magic, and is overall a willing, feminine wandwood.
Yew – Yew is a powerful wandwood. Due to its poisonous sap, it has Dark leanings, and is particularly good at Transfiguration.